Trap music (also Drill) has been called advertising for the prison industrial complex. No citation is needed for anyone who has ever heard any. RBTS shows how domestic issues of crime, drugs, poverty, race, and the materialism that drives it all are rooted not locally but in global strategies of governance and commerce. The same 'failed' policies that police the trap continue to escalate conflict in the middle east and other regions advantageous to the GGGame. Traditional Sociological explanations of the Trap and Trap music fail to recognize The Game, usually substituting race for the hustle of Life. This irresponsible scholarship sustains the system as much as the actual drugs. The music itself impressively tends to acknowledge the nature and reality of the Globe.